Music was always thought of as narrative in one way or another. There have been times when music was mostly a story or a chanting put to music. The concepts of narrative, narration, text, story and the aesthetic category of narrative and representation were most important for analysis of music and its philosophy. There have been other times, when those concepts and categories have been abandoned. This course is an occasion to reconsider the concept of narration and the categories of narrativity and narration in the most general context of music. Music as an artistic and aesthetics phenomenon, in its historical, classical, avant-garde or popular forms. Is music a narrative? And if so what does that mean? How does one uncover the story told by music? Or perhaps, the narrativity in music refers to other form of communication using tools other than words or signs.